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Innovative city that is fundamental to innovation as a driver to innovation capability as the core competitiveness and effectiveness of innovation as the key to performance standards, in a functional, cultural, technological, industrial, institutional and other aspects of the vanguard to lead regional development or high-end city. Among them, cultural decisive lead: not only to lead the surrounding culture, to some extent also in other areas within the leading innovation and prosperity not only to urban culture, it will be Inflatable cartoons refining and nurturing of cultural differences in nature not only to enrich people's cultural life , Need to build a strong cultural industries. Then, with the objective of innovative city of Shenzhen, the need to shape what kind of cultural identity, how to use culture to lead other areas of innovation and how to build a strong cultural industry? »

   Shenzhen 30 years ago in the wake of China's Inflatable cartoons reform and opening up and development of the launch of a new city, perhaps this is what we consider the starting point. As everyone knows, the United States has no far-reaching heavy history, however it to the world to create a forward-looking culture, including the science fiction culture. Similarly, the young history of Shenzhen is also a lack of details, but this does not mean that the Shenzhen in the field of culture can not be achieved. Perhaps because it is a White, is because he can not look back, Shenzhen can only "Mubuxieshi" forward-looking manner, the creation of a non-"Su" and "Outlook" culture.

   Such forward-looking innovation-oriented city is required by the cultural characteristics. Forward-looking culture is an innovative feature of the city, science and technology, industries, innovation systems, such as the pilot or pioneer, is the essence of their culture include the creative culture of science fiction. Based on the science fiction or creative culture of science fiction or creative industries, the development of cultural industry is the locomotive.

   Modern science and cultural development of industry and science fiction

   U.S. long-term occupy the world of science Inflatable cartoons fiction and science fiction culture industry center. National audience especially young people, not only familiarize the U.S. science fiction literature, are familiar with the Hollywood sci-fi large, master of the characters and stories, also known Transformers like animation, toys and games. The United States to develop science fiction world industry standards, the science fiction of creative industries, second only to the amount of foreign exchange aviation industry to become the second largest foreign exchange industry. Science and technology culture of the United States contribution to the development of the whole industry is self-evident, but even more worthy of attention is on the world cultural and economic development.

   Japan's science and cultural industries in the late 1940s. From the initial U.S. occupation soldiers brought the science fiction and cartoons. In the 1950s Japan began to have its own science-fiction writer. Xing Xinyi, Sakyo Komatsu, light lazy Long, who has supported Japan's sci-fi creation. At the same time, Japan began filming local sci-fi film "Godzilla" series, and continued into the 21st century. During this period also gave birth to the subsequent impact on the generation of Chinese viewers, "Astro Boy." 1970s, "Japan sank" were hit best-selling book and movie box office records. 1980s, the Japanese sci-fi cartoons began leading the world market. 1999, South Korea original sci-fi film "The Lost Memory" to open their own science fiction market from 2005 onwards, its "City of Love", "Han River monster," "Long war", "Steam fantasy", aimed at carrying their Hollywood The high standard of special effects, including China entered the world of science fiction and science fiction films game Inflatable cartoons market. Thailand has also taken a few years ago, "Ge Luda" and other sci-fi films. India through "Indian Superman" and other works of science fiction film successfully into the international market.

   China has long been budding science fiction culture. End of the 19th century, science and communication with the first upsurge in foreign science fiction has been translated come. Late Qing Dynasty of China have the first batch of science fiction. The 1930s, the U.S. science fiction film "King Kong" and "outer space" in domestic release. In 1939, China's first sci-fi film "60 years later on the beach" in Shanghai shooting. 1950, New China's first science fiction published in Tianjin, and then have a large number of science fiction, "the Ming Tombs Reservoir Capriccio", "Little Sun" and other sci-fi film shooting. "Cultural Revolution", with "science spring," the arrival of a wave of Chinese science fiction culture climax. "PHS roaming the future," issued over 3 million. Science fiction movies, television dramas and radio plays, and so on are available. By the 1990s, with the opening of the in-depth, the Chinese audience has been basically accepted foreign science fiction products simultaneously, a new generation of consumers has been formed. Fenzhang system in the area, the science fiction film was the main types of films. Sci-fi sci-fi publications and electronic games have a great demand. Now in the city primary school students, almost no contact with non-science fiction books. Reading "Little Red Riding Hood" and "Lang Waipo" the children had been to see "Jiqi Mao" and "Altman" replace. This culture of inter-generational evolution created a huge potential market of science fiction. China's sci-fi industry has entered a "take off" before the critical point, as well as some foreign science fiction writers to visit China after China's decision to change the Inflatable cartoons background of creative science fiction. Because they know what the future of science fiction in the market here.